Scientists Break the Direction of Time Down To the Cellular Level In Mind-Bending Study

A new study looks at interactions between microscopic neurons in salamanders to understand how the “arrow of time” is biologically generated. Motherboard reports: The second law of thermodynamics says that everything tends to move from order to disorder, a process known as entropy that defines the arrow of time. A stronger arrow of time means it would be harder for a system to go back to a more ordered state. “Everything that we perceive as a difference between the past and the future stems fundamentally from that one principle about the universe,” said Christopher Lynn, the lead author of the study. Lynn said that his motivation for the study was “to understand how the arrows of time we see in life” fit into this larger idea of entropy on the scale of the entire universe.

Using previously done research on salamanders, Lynne and colleagues at City University of New York and Princeton examined how the arrow of time is represented in interactions between the amphibians’ neurons in response to watching a movie. Their research is soon to be published in the journal Physical Review Letters. On one hand, it’s somewhat obvious that an arrow of time would be biologically produced. “To be alive, almost, you have to have an arrow of time because you develop from a baby to an adult, and you’re constantly moving and taking in stimuli,” Lynne said. Indeed, entropy here is irreversible — you cannot go back. What the team found was anything but intuitive, however.

Lynne and colleagues looked at a separate 2015 study where researchers had salamanders watch two different movies. One depicted a scene of fish swimming around, similar to what a salamander might experience in everyday life. As in the real world, the video had a clear arrow of time — that is, if you watched it in reverse, it would look different than if you played it forwards. The other video contained only a gray screen with a black, horizontal bar in the middle of the screen, which moved quickly up and down in a random, jittery way. This video didn’t have an obvious arrow of time. A major question for the researchers was if they could pick out signs of “local irreversibility” in interactions between small groups of retinal neurons in response to this stimulus. Would interactions with irreversibility — they would look different if played in reverse, having an “arrow of time” — present in simpler or more complex interactions between neurons? “You can go look at a system and you can ask: are the more complicated interactions strongly producing the arrow of time, or is it the simpler dynamics?” said Lynn.

The researchers found that the interactions between simple pairs of neurons primarily determined the arrow of time, no matter which movie the salamanders watched. In fact, the authors found a stronger arrow of time for the neurons when salamanders watched the video with the gray screen and black bar — in other words, the video without an arrow of time in its content elicited a greater arrow of time in the neurons. “We naively thought that if the stimulus has a stronger arrow of time, that would show up on your retina,” said Lynn. “But it was the opposite. So that’s why it was surprising to us.” While the researchers can’t say for sure why this is, Lynn said that it might be because salamanders are more used to seeing something like the fish movie, and processing the more artificial movie took greater energy. In a more disordered system, which would have a greater arrow of time, more energy is consumed. “Being alive will still define an arrow of time,” Lynne said, no matter the stimulus.

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Court Orders Telegram To Disclose Personal Details of Pirating Users

The High Court in Delhi ordered Telegram to share the personal details of copyright-infringing users with rightsholders. The messaging app refused to do so, citing privacy concerns and freedom of speech, but the court waved away these defenses, ordering the company to comply with Indian law. TorrentFreak reports: Telegram doesn’t permit copyright infringement and generally takes swift action in response. This includes the removal of channels that are dedicated to piracy. For some copyright holders that’s not enough, as new ‘pirate’ channels generally surface soon after. To effectively protect their content, rightsholders want to know who runs these channels. This allows them to take action against the actual infringers and make sure that they stop pirating. This argument is the basis of an infringement lawsuit filed in 2020.

The case in question was filed by Ms. Neetu Singh and KD Campus. The former is the author of various books, courses, and lectures, for which the latter runs coaching centers. Both rightsholders have repeatedly complained to Telegram about channels that shared pirated content. In most cases, Telegram took these down, but the service refused to identify the infringers. As such, the rightsholders asked the court to intervene. The legal battle culminated in the Delhi High Court this week via an order compelling Telegram to identify several copyright-infringing users. This includes handing over phone numbers, IP addresses, and email addresses.

The order was issued despite fierce opposition. One of Telegram’s main defenses was that the user data is stored in Singapore, which prohibits the decryption of personal information under local privacy law. The Court disagrees with this argument, as the ongoing infringing activity is related to Indian works and will likely be tied to Indian users. And even if the data is stored elsewhere, it could be accessed from India. Disclosing the personal information would not be a violation of Singapore’s privacy law either, the High Court adds, pointing out that there is an exception if personal details are needed for investigation or proceedings.

Telegram also brought up the Indian constitution, which protects people’s privacy, as well as the right to freedom of speech and expression. However, that defense was unsuccessful too. Finally, Telegram argued that it is not required to disclose the details of its users because the service merely acts as an intermediary. Again, the Court disagrees. Simply taking infringing channels offline isn’t good enough in this situation, since infringers can simply launch new ones, as if nothing had happened.

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Studio Ghibli Film Catalog Now Available on Digital Rental Platforms

Some of the most acclaimed films in animation history are finally available to rent online. GKIDS, the animation specialist distributer, has released the catalog of acclaimed Japanese animation house Studio Ghibli starting Tuesday. From a report: 22 films from the studio — including Oscar winner “Spirited Away” and nominees such as “Howl’s Moving Castle” and “When Marnie Was There” — will be made available to rent on all major digital platforms, including Apple TV, Amazon VOD, Vudu, Google Play and Microsoft. The films will be be priced at $4.99 per title, and all will be available in HD, with most being offered in the original Japanese language as well as English dubs.

The news marks the first time that Ghibli’s films have been made available via digital rental. The catalogue has been one of the pillars of GKIDS’ business since the distributer acquired the North American film distribution rights to the studio’s films in 2011, followed by the home media rights in 2017 — previously, the majority of Studio Ghibli films were distributed via the Walt Disney Company. Since 2017, GKIDS has partnered with Fathom Events to host a series of limited run screenings of the studio’s films throughout the year. The catalog was made available for digital purchase in 2019, and GKIDS has an exclusive deal to stream the films in the United States on HBO Max, where they have been included since 2020.

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Twitter Is Becoming a Podcast App

Twitter has launched a test version of Twitter Spaces today that includes podcasts, “letting you listen to full shows through curated playlists based on your interests,” reports The Verge. From the report: The redesigned Spaces tab opens with Stations, topic-based playlists combining podcast episodes pulled from RSS with Twitter’s social audio events and recordings. It functions like a Pandora station but for spoken word and is pretty different from the a la carte listening podcast consumers are used to on Apple Podcasts or Spotify. Live and upcoming spaces are still in the tab, further down the page. The test will roll out to a random group of users across the world, initially only in English. The more users listen, the more tailored the audio Stations will become. But Twitter isn’t starting from square one — the company is relying on what it already knows about its users’ interests to curate the playlists. It’ll draw from the interests of people they follow, as well.

“What we’re really trying to capture here is as if it’s like another user recommending you something,” Twitter senior product manager Evan Jones, who focuses on audio, told Hot Pod. Podcast discovery is notoriously difficult, limited either to top 100 charts, hand-picked selections on apps, or — more often than not — word of mouth. No platform has managed to crack it, yet. It’s easy to imagine the promotional possibilities around being able to share and listen to podcasts in the same app, but it’s not quite there yet. The test does not yet have a clipping capability, and listening can only happen in the Spaces tab, not on the timeline. That being said, Spaces has a clipping feature that could be applied to podcasts at some point.

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