The Apple TV HD (also called the fourth-generation Apple TV) is no longer available in Apple’s US store after the addition of an updated Apple TV 4K yesterday. Ars Technica reports: The Apple TV HD debuted in 2015, and it was the first Apple TV to run tvOS, with its own App Store. Up until its discontinuation this week, it included a now-aging A8 chip (the one from the iPhone 6). By contrast, the new Apple TV 4K has the A15 chip found in the iPhone 13; it’s dramatically faster. The 2015 model was also the first to introduce Apple’s controversial touch-based remote, which was radically redesigned in response to user feedback in recent years.

Apple introduced the first iteration of the Apple TV 4K in 2017, but the company continued to offer the Apple TV HD alongside it in its store as a cheaper option compared to the 4K model, which currently starts at $129 — still much more expensive than the dongles and set-top boxes most people use to stream to their TVs. At present, you can’t even find the Apple TV HD in Apple’s refurbished store, so this appears to mark the end-of-life for the non-4K Apple TV. It’s not too surprising, though; 4K TVs have been a hit. More than half of United States households had a 4K TV as of last summer, and the percentage has been growing substantially year over year.

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From a report:
Filmmaker Craig Zobel has been tapped by HBO Max to direct the first two episodes of The Penguin, its much-awaited Batman spinoff. He will also serve as executive producer of the show, with Lauren LeFranc writing the script. Starring in The Penguin is Colin Farrell, who played the villainous Oswald Cobblepot in The Batman earlier this year. The Penguin will focus its attention on Cobblepot’s notorious past and trace his rise to power in Gotham.

Zobel is already part of the family, having previously directed The Mare of Easttown for HBO Max. The prolific director also applied his talents to episodes of Westworld, The Leftovers, and American Gods…

If all goes according to schedule, viewers could be enjoying The Penguin by the end of 2023.

The article also notes that Zobel also helped co-create Homestar Runner in its original incarnation as a parody children’s picture book.

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“William Shatner closed out the first night of San Diego Comic-Con in style — with plenty of cursing and a look back at his storied career,” writes the Hollywood Reporter:

In an hourlong chat with emcee Kevin Smith, the 91-year-old actor talked about aging, space travel (both real and fictional) and his place in the pop culture consciousness….

He took time to address the importance and power of fandom to his career, and specifically to Star Trek, which 56 years ago introduced the world to James T. Kirk, his most enduring character. When asked to address the fans of that other major sci-fi franchise, Shatner quipped, “fuck Star Wars…. But not Mark Hamill.”

“We love Mark Hamill,” Smith agreed.

When asked by a fan if there were any new Star Trek series he thought rivaled his own, Shatner replied, “none of them.”

“I got to know [creator] Gene Roddenberry in three years fairly well,” said Shatner, “he’d be turning in his grave at some of this stuff….”
The article also quotes Shatner’s more serious comments about his own recent trip into outer space courtesy of Jeff Bezos’ Blue Origin.
“I went, and I vowed that every moment that I spent in space, would not be playing around in weightlessness, but looking out the window and trying to get an impression.”

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Many commercials continue to play on ad-supported streaming services after viewers turn off their television, new research shows, a problem that is causing an estimated waste of more than $1 billion a year for brands. From a report: The findings come as an ever-growing share of ad dollars is shifting from traditional TV to streaming platforms, a trend that is likely to accelerate now that industry giants Netflix and Walt Disney’s Disney+ have embraced the idea of offering an ad-supported version of their services. Some 17% of ads shown on televisions connected through a streaming device — including streaming boxes, dongles, sticks and gaming consoles — are playing while the TV is off, according to a study by WPP’s ad-buying giant GroupM and ad-measurement firm iSpot.tv.

That is because when a TV set is turned off, it doesn’t always send a signal to the streaming device connected to the TV through its HDMI port, GroupM said. As a result, the streaming device will continue playing the show and its ads unless users had exited or paused the streaming app they were watching before turning off their TV. Due to the nature of the problem, using a smart TV — on which streaming apps are loaded — makes it far less likely that ads would be shown while the TV is off, since in this instance the television and streaming device are just a single piece of hardware. GroupM said it found “virtually no incidence” of the issue on smart TV apps. The study, which included smart TVs and some hooked up with a streaming device, found that on average, between 8% and 10% of all streaming ads were shown while the TV was off.

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Industry trade group the National Cable Television Cooperative (NCTC) could be dropping the “cable” moniker as it eyes a potential name change. Fierce Video reports: A trademark application filed by NCTC on May 17 shows one proposal for a new name: National Content & Technology Cooperative. An NCTC spokesperson confirmed to Fierce that the organization will be changing its name, but said it is considering a large number of options and hasn’t yet settled on a final decision. The spokesperson noted it’s taking time to register potential names, but some of the other choices on the table include simply “NCTC,” “NCTC Online” or even sticking with its current brand of the National Cable Television Cooperative. […] According to the application, it appears NCTC is also considering losing the image of a coaxial cable that’s currently featured in its logo.

So why the potential shift away from cable? One factor could be that the industry has clearly changed since NCTC formed in 1984, with cable operators in recent years deemphasizing traditional video offerings. The “Cable Television” part of the group’s name is becoming less accurate over time, said Brett Sappington, VP of Interpret. “Broadband, not television, is the cash cow for the cable industry,” he told Fierce Video. “Many of the organization’s members are actually moving away from offering their own video service and are, instead, focusing on broadband bundled with streaming services.” […] Along with industry changes come some shifts in perception as well. “Cable TV doesn’t necessarily have a positive connotation today,” Sappington noted. “In fact, many online TV services such as Sling TV or FuboTV emphasize why consumers should ‘drop cable’ and go with their services instead,” he continued.

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According to Variety, a new series of “Black Mirror” is in the works at Netflix. From the report: It’s been almost three years since Season 5 of the dystopian drama premiered on the streaming service in June 2019, but sources indicate that a new anthology series of “Black Mirror” is shaping up, and casting is now underway. While details about specific stories are being kept under lock and key, Variety understands that Season 6 will have more episodes than Season 5, which comprised of just three instalments and starred Andrew Scott, Anthony Mackie, Yahya Abdul-Mateen II, Topher Grace and Miley Cyrus. A source close to the production tells Variety that the latest season is even more cinematic in scope, with each installment being treated as an individual film. This is, of course, in line with recent seasons of “Black Mirror,” for which episodes usually exceeded 60 minutes and had incredibly high production values.

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The Paramount+ streaming service already has five ongoing Star Trek series (including Discovery and Picard).

But they’ve just released a trailer for another one — and it’s now derived directly from the original 1960s TV show, even including some of its original characters. The upcoming show’s title?

Star Trek: Strange New Worlds.

Ars Technica reports:

As we’ve reported previously, one of the highlights of Star Trek: Discovery’s second season was the appearance of classic original series (TOS) characters Capt. Christopher Pike (Anson Mount), Number One (Rebecca Romijn), and Spock (Ethan Peck). All three reprise their roles for Strange New Worlds….

“If you want to seek out new life, go where the aliens are,” Pike tells us. But that alien life might not be receptive to first contact, as Pike and the Enterprise find themselves under fire by aliens who consider their presence to be “blasphemy.” And romance blooms for both Pike and Spock (separately, not with each other).

Star Trek: Strange New Worlds debuts on Paramount+ on May 5, 2022. The streaming platform has already greenlighted a second season, with Paul Wesley (Vampire Diaries ) joining the cast as future Enterprise Capt. James T. Kirk.
Ars Technica reports the cast as:

Babs Olusanmokun playing Dr. M’BengaCelia Rose Gooding filling Nichelle Nichols’ shoes as Cadet Nyota UhuraJess Bush playing Nurse Christine ChapelMelissa Navai playing Lt. Erica OrtegasBruce Orak playing an Aenar named Hemmer.Christina Chong playing La’An Noonien-Singh (a relation of the classic revenge-obsessed Star Trek villain Khan).
And on an unrelated note…

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Roku device owners will soon have a whole host of new personalization features, including all-new Photo Streams, with the Roku OS 11. From a report: Firstly, when Roku OS 11 rolls out to users in the weeks ahead, they’ll be able to change their screensaver to display their own photography or images with Photo Streams. Not only will Photo Streams allow users to display photos from their desktop or mobile device on Roku, but users will also be able to share Streams with other Roku device owners as well. Once a Stream is shared, other Roku owners will be able to add to it, allowing everyone to collaborate on a shared album. Roku OS 11 will also introduce a new “what to watch on Roku” menu, a personally curated hub added to the home screen menu that will suggest popular and recently released TV and movies.

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According to Deadline, Prime Video is turning PlayStation’s mythology-themed game franchise God of War into a live-action TV series. From the report: I hear the series adaptation comes from The Expanse creators/executive producers Mark Fergus and Hawk Ostby and The Wheel of Time executive producer/showrunner Rafe Judkins as well as Sony Pictures Television and PlayStation Productions, which collaborate on all TV series based on PlayStation games. This would mark the latest big deal for a TV series based on a popular video game title in a red-hot streaming marketplace for gaming IP. Peacock just landed another SPT/PlayStation property, Twisted Metal, with a series order and Anthony Mackie starring. HBO has coming up the high-profile PlayStation game-based series The Last of Us, starring Pedro Pascal and Bella Ramsey. Netflix has a Resident Evil TV series in the works, while Paramount+ is about to debut Halo.
[…]
The God of War franchise from Sony’s Santa Monica Studio spans a total of seven games across four PlayStation consoles. The action game series launched in 2005 on the PlayStation 2, with the first God of War. At the center is ex-Spartan warrior Kratos and his perilous journey to exact revenge on the Ares, the Greek God of War, after killing his loved ones under the deity’s influence. After becoming the ruthless God of War himself, Kratos finds himself constantly looking for a chance to change his fate. Following several titles on various PlayStation consoles including the PS3 and the handheld PSP, Santa Monica Studio brought new life to the franchise with the 2018 game on the PlayStation 4. In it, Kratos comes to the Norse wilds where he gets a second chance at fatherhood with his son Atreus. The installment a slew of honors at the 2018 Game Awards, including Game of the Year. An eighth God of War installment, God of War: Ragnorok, is in the works for PlayStation 4 and PlayStation 5 and is set to drop this year.

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The vacancies at cable news companies are piling up as networks and journalists begin to eye streaming alternatives. Axios reports: Why it matters: Primetime cable slots and the Sunday shows are no longer the most opportunistic placements for major TV talent.

Driving the news: Long-time “Fox News Sunday” host Chris Wallace is leaving the network after nearly two decades, he announced Sunday. He will be joining CNN as an anchor for its new streaming service, CNN+. Wallace will anchor a new weekday show and will contribute to the network’s daily live programming, per CNN. It was his decision not to renew his contract with the network, which expired this year, CNN’s Brian Stelter reported.

The big picture: Wallace marks the latest in a string of cable news host departures and shakeups in the past few weeks and months. There are now several holes cable bosses will need to fill in coming weeks. […] Major networks are investing heavily to lure talent to streaming alternatives in light of the decline of linear television. CNN hired NBC News veteran Kasie Hunt as an anchor and analyst for CNN+, reportedly for a salary of over $1 million. It’s hiring hundreds of new roles for the streaming service, set to launch next quarter. NBC News has already hired the majority of the 200+ new jobs it announced over the summer for its new streaming service and digital team, a top executive confirmed to Axios last month. One of its linear TV anchors, Joshua Johnson, moved full-time to host a primetime streaming show for NBC News Now. Fox News launched a new weather-focused streaming service in October. A Fox executive said last week the company is prepared to migrate Fox News to a streaming platform when the time is right. CBS News changed the name of its streaming service recently from CBSN to “CBS News” to represent a new streamlined vision for streaming. “TV networks won’t stop seriously investing in linear news programs until sports move out of the cable bundle, and that won’t be for another few years,” adds Axios.

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